Transcribed for solo marimba.
Reverie (Debussy/arr. by Karen Ervin-Pershing)
$10.00 – $11.00Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
$8.00
Transcribed for solo marimba.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
Transcribed for solo marimba.
Difficulty | Advanced |
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Performance Type | Arrangement/Transcription |
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment