A third-place winner in the 1998 PAS composition contest for small percussion ensemble. An intense exploration of the monotonal relationship between the diminished (modulatory) and augmented (resolutory) symmetrical polytonal pitch sets. This keyboard percussion quartet for 2 vibraphones and 2 marimbas can also be performed by 3 vibraphones and 1 marimba if the players have access to a third vibraphone. The complexity of each of the individual parts mesh together to create an intriguing tapestry of ever-evolving sound.
$40.00
Starburst
A third-place winner in the 1998 PAS composition contest for small percussion ensemble. An intense exploration of the monotonal relationship between the diminished (modulatory) and augmented (resolutory) symmetrical polytonal pitch sets. The complexity of each of the individual parts mesh together to create an intriguing tapestry of ever-evolving sound.
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Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Vertical River
$30.00 – $35.00Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
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Arranged for marimba quartet
Stars of Brazil
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A duo for flute and 5.0-octave marimba.
Star Light Meadow
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An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
Jerry-Rigged
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$33.00 – $39.00Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.