$25.00
For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.
This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
This multi-percussion solo is filled with wonderful sounds and textures. The title refers to the interplay between sounds emanating from instruments with long reverberation times and those which produce sounds of shorter duration.- Joshua D. Smith, Percussive Notes
This multi-percussion solo is filled with wonderful sounds and textures. The title refers to the interplay between sounds emanating from instruments with long reverberation times and those which produce sounds of shorter duration.- Joshua D. Smith, Percussive Notes
Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.
Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.
“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
The castanet rhythms of Southern Spain and the metric structure of this originally Japanese form of poetry are combined in Andalusian Haiku.
The castanet rhythms of Southern Spain and the metric structure of this originally Japanese form of poetry are combined in Andalusian Haiku.
The title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.
| Performance Type | Duet |
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In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
Arranged for marimba quartet
Arranged for marimba quartet
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
