$8.00 – $9.00
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:01) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:01) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 14:55) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 14:55) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:49) Available as sheet music: Vol. 1 & Vol. 2
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:49) Available as sheet music: Vol. 1 & Vol. 2
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
This piece is included on the CD Bach on Marimba and available as part of the sheet music in Bach on Marimba: Complete Collection.
| Difficulty | Intermediate |
|---|---|
| Performance Type | Arrangement/Transcription |
| Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
