Instrumentation: Bells, Vibraphone, Chimes, Xylophone, 4.0 Marimba, 4.3 Marimba
Click below to hear a recording of Mirrors:
$30.00 – $33.00Price range: $30.00 through $33.00
Instrumentation: Bells, Vibraphone, Chimes, Xylophone, Marimba Four octaves, Marimba II 4 1/3 octave
A challenging work technically, “Choirs” also displays the multiple percussionists’ musical development. The piece has the practical advantage that each movement uses a relatively small set-up, facilitating the learning/practice process.
A challenging work technically, “Choirs” also displays the multiple percussionists’ musical development. The piece has the practical advantage that each movement uses a relatively small set-up, facilitating the learning/practice process.
for Solo Timpani
Based on the music and rhythms of Beethoven’s Symphony #7
for Solo Timpani
Based on the music and rhythms of Beethoven’s Symphony #7
Instrumentation: Bells, Vibraphone, Chimes, Xylophone, 4.0 Marimba, 4.3 Marimba
Click below to hear a recording of Mirrors:
| Difficulty | Advanced |
|---|---|
| Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
Wrist Twisters: A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
Wrist Twisters: A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.

