$35.00
Leigh Howard Stevens’ treatise on 4-mallet technique, now in an Italian translation by Sergio Torta.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:01) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:01) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 14:55) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 14:55) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:49) Available as sheet music: Vol. 1 & Vol. 2
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:49) Available as sheet music: Vol. 1 & Vol. 2
(with 590 exercises) The most detailed text ever written on the subject of four-mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
37 photographs, 45 diagrams and 590 graduated exercises. MoM has already been translated into four languages, and is a book every percussionist and marimbist should study.
Now in an Italian translation by Sergio Torta.
| Difficulty | Advanced |
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Masters of the Vibes is a celebration of the vibraphone and the artists who play it on the highest level. Musician/author Anthony Smith leads readers on an entertaining, informative journey through the history of this beautiful sounding, but sometimes overlooked, instrument through stimulating conversations with a wide variety of vibes players.
Masters of the Vibes is a celebration of the vibraphone and the artists who play it on the highest level. Musician/author Anthony Smith leads readers on an entertaining, informative journey through the history of this beautiful sounding, but sometimes overlooked, instrument through stimulating conversations with a wide variety of vibes players.
Orchestral excerpts with stickings and commentary by Fred Hinger.
Orchestral excerpts with stickings and commentary by Fred Hinger.
Leigh Howard Stevens’ treatise on 4-mallet technique, now in a German translation by Jasmin Kolberg.
Leigh Howard Stevens’ treatise on 4-mallet technique, now in a German translation by Jasmin Kolberg.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
In this book, Butov addresses many of the major problems of advanced two mallet playing; double sticking, accuracy over wide leaps, independence of the two hands, etc.
In this book, Butov addresses many of the major problems of advanced two mallet playing; double sticking, accuracy over wide leaps, independence of the two hands, etc.
What does arithmetic have to do with snare drum rudiments and rhythm? At a fundamental level, the answer is: everything. Includes over 30 pages of exercises and 8 very challenging solo etudes.
What does arithmetic have to do with snare drum rudiments and rhythm? At a fundamental level, the answer is: everything. Includes over 30 pages of exercises and 8 very challenging solo etudes.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
First published in 1984, Copyright: The Complete Guide for Music Educators has become the standard source book on the subject of copyright for music educators. The updated and revised second edition now addresses new technologies with added chapters on video and computers.
First published in 1984, Copyright: The Complete Guide for Music Educators has become the standard source book on the subject of copyright for music educators. The updated and revised second edition now addresses new technologies with added chapters on video and computers.
Orchestral excerpts with stickings and commentary by Fred Hinger.
Orchestral excerpts with stickings and commentary by Fred Hinger.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.
Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.
