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Isorhythmic Concerto

Third prize winner in the 2000 PAS Composition Contest, ‘Isorhythmic Concerto’ is scored for the three families of non-pitched percussion; wood, metal and skins.

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Meet Daniel Adams

Daniel Adams served as a member of the Texas Southern University Music Faculty for thirty-six years. He retired at the rank of full professor in January of 2025.

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Concerto for Marimba and Percussion Ensemble

$69.00 – $76.00
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This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.

This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.

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3-5 Players
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Resonant Canvass

$12.00 – $13.00
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This multi-percussion solo is filled with wonderful sounds and textures. The title refers to the interplay between sounds emanating from instruments with long reverberation times and those which produce sounds of shorter duration.- Joshua D. Smith, Percussive Notes

This multi-percussion solo is filled with wonderful sounds and textures. The title refers to the interplay between sounds emanating from instruments with long reverberation times and those which produce sounds of shorter duration.- Joshua D. Smith, Percussive Notes

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Concerto for Timpani, Percussion and Winds

$120.00
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Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.

Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.

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Camaraderie

$48.00 – $53.00
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“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.

“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.

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Road Traversed and Reversed

$25.00
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For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.

For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.

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Third prize winner in the 2000 PAS Composition Contest, ‘Isorhythmic Concerto’ is scored for the three families of non-pitched percussion; wood, metal and skins. Using a reasonably compact set-up, the piece is dramatic and virtuosic, displaying the skills, musicianship and timbral control of the multiple percussionists. An exciting cadenza climax es the work, followed by a surprising diminuendo ending. This is a real stunner of a piece, excellent for concerto competitions and recitals. Wind ensemble parts available on rental from Studio 4 Music.

Difficulty

Advanced
Performance Type

3-5 Players
Delivery Method

Print Copy, PDF Download, Print & PDF Versions

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In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.

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