$5.00
Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes
No. 12 of the Gordon Peters Library from the Gordon Peters Ensemble Series Percussion ensemble piece for Xylophone, Five Marimba and Double Bass
No. 12 of the Gordon Peters Library from the Gordon Peters Ensemble Series Percussion ensemble piece for Xylophone, Five Marimba and Double Bass
Symphony No. 5 2nd Movement Op. 67 (1807) (Beethoven) arr. Peters
for Keyboard Percussion Ensemble
Symphony No. 5 2nd Movement Op. 67 (1807) (Beethoven) arr. Peters
for Keyboard Percussion Ensemble
Symphony No. 3, “Eroica” Op. 55 Movement II “Marcia Funebre” (Beethoven) arr. Gordon Peters
for Keyboard Percussion Ensemble
Symphony No. 3, “Eroica” Op. 55 Movement II “Marcia Funebre” (Beethoven) arr. Gordon Peters
for Keyboard Percussion Ensemble
Symphony No.3, 3rd Movement Op. 90 (1883) Excerpt by Johannes Brahms Arr. by Gordon Peters
Symphony No.3, 3rd Movement Op. 90 (1883) Excerpt by Johannes Brahms Arr. by Gordon Peters
The traditional “Greensleeves” arranged for 4 octave marimba.
Although this publication date is 2008, Gordon Peters crafted this four-mallet arrangement for unaccompanied four-octave marimba in 1952. Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.
— Jim Lambert, Percussive Notes — April 2009
| Difficulty | Intermediate |
|---|---|
| Performance Type | Arrangement/Transcription |
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Wrist Twisters: A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
Wrist Twisters: A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
