$10.00 – $11.00
Inspired by two dance forms, ‘Two Dances’ require subtlety and technical control of the snare drummer.
Inspired by two dance forms, ‘Two Dances’ require subtlety and technical control of the snare drummer.
The thirty-five exercises in this book are designed to help the percussionist develop a stronger
understanding of odd meters and time signatures. They start with simple rhythms and meters,which gradually become more difficult by adding complex rhythms, accents, dynamics,ornaments, rolls and shifting time signatures.
The thirty-five exercises in this book are designed to help the percussionist develop a stronger
understanding of odd meters and time signatures. They start with simple rhythms and meters,which gradually become more difficult by adding complex rhythms, accents, dynamics,ornaments, rolls and shifting time signatures.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Rhythmically sophisticated and harmonically interesting, Rhythmic Jambalaya, one of Bobo’s earlier works, demands a variety of different techniques, including some extended reaches in the left-hand.
Rhythmically sophisticated and harmonically interesting, Rhythmic Jambalaya, one of Bobo’s earlier works, demands a variety of different techniques, including some extended reaches in the left-hand.
Etude for solo marimba.
| Difficulty | Advanced |
|---|---|
| Performance Type | Solo |
| Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
