This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This piece is included on the CD Bach on Marimba and available as part of the sheet music collection of all pieces from Bach on Marimba.
$8.00 – $9.00
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This piece is included on the CD Bach on Marimba and available as part of the sheet music collection of all pieces from Bach on Marimba.
Difficulty | Intermediate |
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Performance Type | Arrangement/Transcription |
Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. It is dedicated to and recorded by Leigh Howard Stevens. (Duration 7:14). Sheet music available.
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive. (Duration 7:14). Sheet music available.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity. Recorded by Leigh Howard Stevens. Sheet music available.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:01) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:01) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 14:55) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 14:55) Available as sheet music.
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:49) Available as sheet music: Vol. 1 & Vol. 2
Recorded by Leigh Howard Stevens on the album Marimba When. (Duration 17:49) Available as sheet music: Vol. 1 & Vol. 2
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
Arranged for marimba quartet
Arranged for marimba quartet
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.