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Intermediate
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Dill Pickles Xylo Solo (G.H. Green/arr. Bob Becker)

$5.00 – $6.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Xylophonia Xylo Solo (J.Green/arr. Bob Becker)

$5.00 – $6.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Lahara

$33.00 – $39.00
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Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

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Diptych No. 4

$19.00 – $22.00
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Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

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Bolero Xylo Solo (Moszkowsky/arr. William Cahn)

$5.00 – $6.00
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From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

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Sonata in A Minor (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

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Sonata in B Minor (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

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Two Part Inventions (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.

These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.

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Concerto for Marimba & Orch. Piano Reduction

$38.00 – $44.00
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Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

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Choro No. 1 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Intermediate
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Children’s Corner (Debussy/arr. Leigh Howard Stevens)

$17.00 – $20.00
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Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

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Concerto for Marimba and String Orch.—Piano Red.

$48.00 – $55.00
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Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

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