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Adventures of Ivan (Khachaturian/arr. Leigh Howard Stevens)

$14.00 – $17.00
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A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

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Afternoon Footprints

$14.00 – $17.00
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Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.

Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.

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Alabama Moon (by G.H. Green/arr. Becker/Kimura)

$21.00 – $24.00
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Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

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Album for the Young (Tschaikovsky/arr. Leigh Howard Stevens)

$17.00 – $20.00
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(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

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Album for the Young I (Schumann/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

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Album for the Young II (Schumann/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

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Ameline

$13.00 – $15.00
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Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

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Anthem: To Catch a Glimpse

$14.00 – $17.00
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Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

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BURRITT-A-COVER
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Azure

$21.00 – $24.00
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A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

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Beads of Glass

$14.00 – $17.00
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Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.

Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.

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Bolero (Moszkowsky/arr. William Cahn)

$19.00 – $22.00
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From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

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Bolero Xylo Solo (Moszkowsky/arr. William Cahn)

$5.00 – $6.00
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From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.

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