Gigue and Double (J.S. Bach/arr. Andrea Venet)
$17.00 – $20.00Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Showing 141–160 of 365 results
Showing 141–160 of 365 results
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
From the 12 Duets for Two Violins, Op. 49 of Reinhold Moritzovich Glière (1875 – 1956). Arranged for 4.5va solo marimba. In addition some notes are shown in parentheses and […]
For solo marimba
For solo marimba
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive.
This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive.
Audio recording:
For solo marimba with piano accompaniment.
For solo marimba with piano accompaniment.
A great new intermediate recital piece by Tom Marceau.
A great new intermediate recital piece by Tom Marceau.
Inspired by the playing of Max Roach, Sanderbeck has written an interesting and original five-movement suite which displays a drummer’s finesse and control in a variety of styles. Great choice for a jury or recital!
Inspired by the playing of Max Roach, Sanderbeck has written an interesting and original five-movement suite which displays a drummer’s finesse and control in a variety of styles. Great choice for a jury or recital!
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Composed for and premiered by noted marimbist Katarzyna Mycka, “Hurricane’s Eye” is a challenging and dramatic solo work that should find its way into the standard repertoire for advancing students and professionals.
Composed for and premiered by noted marimbist Katarzyna Mycka, “Hurricane’s Eye” is a challenging and dramatic solo work that should find its way into the standard repertoire for advancing students and professionals.
The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes and arranges a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra. NOW AVAILABLE FOR SOLO XYLOPHONE WITH PIANO ACCOMPANIMENT.
The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes and arranges a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra. NOW AVAILABLE FOR SOLO XYLOPHONE WITH PIANO ACCOMPANIMENT.
Develop more confidence in your playing! In his landmark technique book, Gordon Stout shares his insight with articles on “kinesthetic touch” (ideo-kinetics), correct practice technique and how to sightread.
Develop more confidence in your playing! In his landmark technique book, Gordon Stout shares his insight with articles on “kinesthetic touch” (ideo-kinetics), correct practice technique and how to sightread.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
Rich O’Meara’s new piece for marimba consists almost exclusively of double lateral and single alternating strokes, has many tempo fluctuations and is improvisatory in nature. However, it looks a little more difficult and is a little longer than the typical O’Meara solo marimba piece you may be used to.
– Julia Gaines, Percussive Notes
Rich O’Meara’s new piece for marimba consists almost exclusively of double lateral and single alternating strokes, has many tempo fluctuations and is improvisatory in nature. However, it looks a little more difficult and is a little longer than the typical O’Meara solo marimba piece you may be used to.
– Julia Gaines, Percussive Notes
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.