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Water Marks

$9.00 – $11.00
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Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.

Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.

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Afternoon Footprints

$14.00 – $17.00
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Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.

Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.

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Cerulean Landscape

$14.00 – $17.00
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Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.

Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.

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Uninhabited Admittance

$14.00 – $17.00
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Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.

Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.

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Al Fresco (Xylo + Pno) (Herbert/arr. Jonathan Singer)

$14.00 – $17.00
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Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.

Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.

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The Offering

$11.00 – $13.00
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A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.

A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.

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Sara’s Song

$10.00 – $11.00
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Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.

Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.

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Hurricane’s Eye

$11.00 – $13.00
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Composed for and premiered by noted marimbist Katarzyna Mycka, “Hurricane’s Eye” is a challenging and dramatic solo work that should find its way into the standard repertoire for advancing students and professionals.

Composed for and premiered by noted marimbist Katarzyna Mycka, “Hurricane’s Eye” is a challenging and dramatic solo work that should find its way into the standard repertoire for advancing students and professionals.

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Etude Op. 6 No. 8, Whole Tone

$8.00 – $9.00
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Also known as the Natural Boy, this serene etude is constructed of block chords both rolled and unrolled. The full range of the instrument is used, keeping character with the dynamic style for which the composer is known.

Also known as the Natural Boy, this serene etude is constructed of block chords both rolled and unrolled. The full range of the instrument is used, keeping character with the dynamic style for which the composer is known.

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Etude Op. 6 No. 9, B Major

$8.00 – $9.00
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The study and mastery of Clair Omar Musser’s Etudes is considered to be a “right of passage” into technical competence. This vibrant Etude shows off the player’s hand speed and ability to work with moving block chords.

The study and mastery of Clair Omar Musser’s Etudes is considered to be a “right of passage” into technical competence. This vibrant Etude shows off the player’s hand speed and ability to work with moving block chords.

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Etude Op. 6 No. 10, C Major

$8.00 – $9.00
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Probably the most well-known of Clair Omar Musser’s etudes for solo marimba. A fast-paced four-mallet piece with brilliant colors.

Probably the most well-known of Clair Omar Musser’s etudes for solo marimba. A fast-paced four-mallet piece with brilliant colors.

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Etude Op. 11 No. 4

$8.00 – $9.00
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Cascading 16th-note passages make up the body of this etude by Clair Omar Musser. The player gets the chance to show off their muscle memory as well as their ability to be expressive through use of dynamics and rubati.

Cascading 16th-note passages make up the body of this etude by Clair Omar Musser. The player gets the chance to show off their muscle memory as well as their ability to be expressive through use of dynamics and rubati.

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Prelude Op. 11 No. 7

$8.00 – $9.00
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A dramatic and technically challenging work for unaccompanied four-mallet marimba. The study and mastery of Clair Omar Musser’s preludes is considered to be a “right of passage” into technical competence.

A dramatic and technically challenging work for unaccompanied four-mallet marimba. The study and mastery of Clair Omar Musser’s preludes is considered to be a “right of passage” into technical competence.

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Prelude Op. 11 No. 3

$12.00 – $13.00
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A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.

A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.

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Scherzo Caprice

$14.00 – $17.00
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A classic work from one of the most influential figures in percussion history. Marimba solo with piano accompaniment.

A classic work from one of the most influential figures in percussion history. Marimba solo with piano accompaniment.

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