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Azure

$21.00$24.00

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

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Choro No. 9 (Marcellino/arr. Gordon Stout)

$10.00$11.00

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Adventures of Ivan (Khachaturian/arr. Leigh Howard Stevens)

$14.00$17.00

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

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Caritas

$15.00$18.00

Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.

Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.

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Preludes 1, 2, 3, 4, and 5

$33.00$39.00

These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.

These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.

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Album for the Young II (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

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Tune for Mary O.

$10.00$11.00

An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.

An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary O.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.

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Ameline

$13.00$15.00

Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

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Scirocco

$14.00$17.00

This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.

This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.

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Album for the Young (Tschaikovsky/arr. Leigh Howard Stevens)

$17.00$20.00

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

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Intermediate
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Asturias (Albeniz/arr. Leigh Howard Stevens)

$11.00$13.00

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

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Album for the Young I (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

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Choro No. 3 (Marcellino/arr. Gordon Stout)

$10.00$11.00

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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The Hummingbird, Xylo Solo (G.H. Green/arr. Bob Becker)

$5.00$6.00

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Keep Movin’ Solo (G.H. Green/arr. Bob Becker)

$5.00$6.00

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Four Dances for Marimba

$19.00$22.00

A great set of recital pieces, for the advanced high school or college student. Not as difficult as some of my music, and very enjoyable musically. Dedicated to Larissa Venzie, who did the premiere performance in the spring of 2007.

A great set of recital pieces, for the advanced high school or college student. Not as difficult as some of my music, and very enjoyable musically. Dedicated to Larissa Venzie, who did the premiere performance in the spring of 2007.

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Quondam Reflections

$11.00$13.00

The title, which essentially means “reflections on things from the past” doesn’t have much to do with the composition itself, Stout has said. Quondam Reflections is a tonal, multi-textural, polyphonic and multi-sectional work.

The title, which essentially means “reflections on things from the past” doesn’t have much to do with the composition itself, Stout has said. Quondam Reflections is a tonal, multi-textural, polyphonic and multi-sectional work.

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