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Whistler, The Xylo Solo (G.H.Green/arr. Bob Becker)

$5.00$6.00

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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In Sweet September (James Monaco/arr. Yurika Kimura)

$21.00$24.00

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

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Poor Little Butterfly is a Fly Gal Now (Jerome & Spencer/arr. Yurika Kimura)

$21.00$24.00

M. K. Jerome’s Poor Butterfly Is A Fly Gal Now was published by Waterson, Berlin & Snyder Co. in 1919, and recorded the same year by the All Star Trio (Victor 18641-B). The All Star Trio was one of the most popular recording groups for dance music in the United States between 1918 and 1922. The ensemble included Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone. This transcription arrangement bases the marimba part on the piano and saxophone performances, while keeping the xylophone part almost exactly as played by Green, with only a few minor changes to make the two parts consistent.

M. K. Jerome’s Poor Butterfly Is A Fly Gal Now was published by Waterson, Berlin & Snyder Co. in 1919, and recorded the same year by the All Star Trio (Victor 18641-B). The All Star Trio was one of the most popular recording groups for dance music in the United States between 1918 and 1922. The ensemble included Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone. This transcription arrangement bases the marimba part on the piano and saxophone performances, while keeping the xylophone part almost exactly as played by Green, with only a few minor changes to make the two parts consistent.

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Swanee (Gershwin/arr. Becker/Kimura)

$21.00$24.00

“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes

“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes

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The Hula Blues (Noble & Cunha/arr. Becker/Kimura)

$21.00$24.00

This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.

This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.

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Watermelon Whispers (G.H. Green/arr. Yurika Kimura)

$21.00$24.00

Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

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Yellow Dog Blues (W.C. Handy/arr. Yurika Kimura)

$21.00$24.00

“Green’s unique bluesy style is evident in this fun, challenging xylophone solo. The marimba accompaniment is equally challenging (if not more so) and requires a player who is comfortable with large leaps in the bass line while playing busy syncopated patterns in the right hand.”-Percussive Notes

“Green’s unique bluesy style is evident in this fun, challenging xylophone solo. The marimba accompaniment is equally challenging (if not more so) and requires a player who is comfortable with large leaps in the bass line while playing busy syncopated patterns in the right hand.”-Percussive Notes

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Intermediate
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Capriccio for Tuba and Marimba

$25.00$29.00

Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.

Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.

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Sunbell

$10.00$11.00

One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.

One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.

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Mighty Lak a Rose (Nevin/arr. Bob Becker)

$10.00$11.00

A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.

A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.

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Nocturne 1-10 Set

$38.00$44.00

A collection of 10 terrific pieces for four-mallet marimba ranging in difficulty from intermediate to advanced. They are between 2 and 6 minutes each and are based on very specific musical ideas, not specific techniques.

A collection of 10 terrific pieces for four-mallet marimba ranging in difficulty from intermediate to advanced. They are between 2 and 6 minutes each and are based on very specific musical ideas, not specific techniques.

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Great Wall

$14.00$17.00

This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive.

This piece is a 6 minute wall of sound coming from the marimba – all apparently sounding like rolls, but many patterns are really “quasi-rolls” or repeated figurations that sustain the sound of the marimba with a rhythmic drive.

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Azure

$21.00$24.00

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

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Choro No. 9 (Marcellino/arr. Gordon Stout)

$10.00$11.00

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Adventures of Ivan (Khachaturian/arr. Leigh Howard Stevens)

$14.00$17.00

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

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Caritas

$15.00$18.00

Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.

Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.

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Preludes 1, 2, 3, 4, and 5

$33.00$39.00

These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.

These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.

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Album for the Young II (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

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