Showing 61–80 of 144 results
Showing 61–80 of 144 results
Manhattan Escapades was written in 2012 for two marimbas, both requiring a 5.0 instrument. Premiered at Ithaca College in 2014 with Gordon Stout and Kate Burns (Vorel).
Manhattan Escapades was written in 2012 for two marimbas, both requiring a 5.0 instrument. Premiered at Ithaca College in 2014 with Gordon Stout and Kate Burns (Vorel).
Tailoring for Two was written for my student Taylor Katanick, and premiered by Taylor and Gordon Stout in 2014 at Ithaca College. A really fun duo, requiring two 5.0 marimbas.
Tailoring for Two was written for my student Taylor Katanick, and premiered by Taylor and Gordon Stout in 2014 at Ithaca College. A really fun duo, requiring two 5.0 marimbas.
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
This arrangement of Eric Sammut’s Rotation 1 by Andrea Venet is for a percussion ensemble of 10-14 players. The arrangement is a fun, relatively short work for large percussion ensemble that would fit well in any percussion ensemble concert and could be performed by advanced high school and college percussion programs.
This arrangement of Eric Sammut’s Rotation 1 by Andrea Venet is for a percussion ensemble of 10-14 players. The arrangement is a fun, relatively short work for large percussion ensemble that would fit well in any percussion ensemble concert and could be performed by advanced high school and college percussion programs.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
A virtuoso duet for marimba and drum set.
A virtuoso duet for marimba and drum set.
A difficult marimba duet by Gordon Stout.
A difficult marimba duet by Gordon Stout.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.
The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.
The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”
This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”
It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura
It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura
“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.
“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.
This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.
This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.
This package contains ONLY the Solo Clarinet part and Solo Percussion part. This package does NOT contain a Piano Reduction Score, a Full Conductor Score, nor any ensemble parts. To […]
Composed by Carl Philipp Emanuel Bach, transcribed for marimba by Naoko Takada
Composed by Carl Philipp Emanuel Bach, transcribed for marimba by Naoko Takada
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
Composed by Handel, arranged for marimba by Naoko Takada
Composed by Handel, arranged for marimba by Naoko Takada