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Album for the Young (Tschaikovsky/arr. Leigh Howard Stevens)

$17.00 – $20.00
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(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

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Intermediate
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Asturias (Albeniz/arr. Leigh Howard Stevens)

$11.00 – $13.00
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This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

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Album for the Young I (Schumann/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

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Choro No. 3 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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The Hummingbird, Xylo Solo (G.H. Green/arr. Bob Becker)

$5.00 – $6.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Keep Movin’ Solo (G.H. Green/arr. Bob Becker)

$5.00 – $6.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Rotation 1 (Eric Sammut/arr. by Andrea Venet)

$46.00 – $53.00
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This arrangement of Eric Sammut’s Rotation 1 by Andrea Venet is for a percussion ensemble of 10-14 players. The arrangement is a fun, relatively short work for large percussion ensemble that would fit well in any percussion ensemble concert and could be performed by advanced high school and college percussion programs.

This arrangement of Eric Sammut’s Rotation 1 by Andrea Venet is for a percussion ensemble of 10-14 players. The arrangement is a fun, relatively short work for large percussion ensemble that would fit well in any percussion ensemble concert and could be performed by advanced high school and college percussion programs.

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Intermediate
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My Favorite Things (Richard Rodgers/ arr. Andrea Venet)

$17.00 – $20.00
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The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.

The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.

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Furioso and Valse (Earl Hatch/4-mallet arr. Claudio Santangelo)

$17.00 – $20.00
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One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.

One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.

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Variations on Porgy and Bess (Gershwin/arr. Eric Sammut)

$21.00 – $24.00
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This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”

This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”

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Prelude in G Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$17.00 – $20.00
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It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

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Carmen Fantasy (Bizet/arr. Eric Sammut)

$17.00 – $20.00
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Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.

Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.

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The Revolutionary (Chopin/arr. Eric Sammut)

$17.00 – $20.00
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One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.

One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.

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