Vibe Book Bundle
$109.00 – $127.00Three exciting vibe books, one low price!
Three exciting vibe books, one low price!
Showing 601–620 of 634 results
Showing 601–620 of 634 results
Three exciting vibe books, one low price!
Three exciting vibe books, one low price!
Vibraphone Portfolio features 5 solos for 4 mallets and includes a CD with listening examples of each solo.
Vibraphone Portfolio features 5 solos for 4 mallets and includes a CD with listening examples of each solo.
Truly a beautiful addition to solo marimba literature. While technically accessible to the intermediate player, advanced players can also enjoy the musical possibilities this piece offers.
Truly a beautiful addition to solo marimba literature. While technically accessible to the intermediate player, advanced players can also enjoy the musical possibilities this piece offers.
Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.
Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.
A collection of three short etudes for solo vibraphone.
A collection of three short etudes for solo vibraphone.
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
A standard repertoire piece for all aspiring young players. Don Skoog’s Water and Fire was the second prize winner in the 1982 PAS composition competition. “Destined to become part of the serious artist/performers repertoire.” (PAS Review)
A standard repertoire piece for all aspiring young players. Don Skoog’s Water and Fire was the second prize winner in the 1982 PAS composition competition. “Destined to become part of the serious artist/performers repertoire.” (PAS Review)
For keyboard percussion soloist with piano accompaniment
For keyboard percussion soloist with piano accompaniment
“Inspired by the Nymphéas series of paintings by French impressionist Claude Monet… [Water Lilies] is a beautifully complex and satisfying work for five percussionists and a pianist… it is recommended for professional ensembles and upper-level graduate students.” —Danielle Moreau, Percussive Notes
“Inspired by the Nymphéas series of paintings by French impressionist Claude Monet… [Water Lilies] is a beautifully complex and satisfying work for five percussionists and a pianist… it is recommended for professional ensembles and upper-level graduate students.” —Danielle Moreau, Percussive Notes
Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.
Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.
Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.
Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.
This is an exciting composition for vibraphone- one that would make an excellent choice for a senior recital. The piece may be played in its entirety, but the composer also gives recommended combinations of movements to be played if the performer chooses.
This is an exciting composition for vibraphone- one that would make an excellent choice for a senior recital. The piece may be played in its entirety, but the composer also gives recommended combinations of movements to be played if the performer chooses.
It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.
It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.
It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.
It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.