Showing 581–600 of 634 results
Showing 581–600 of 634 results
A standard in the percussion community. This work has been recorded and performed in recital many time over. Both movements may be played in conjunction or independently.
A standard in the percussion community. This work has been recorded and performed in recital many time over. Both movements may be played in conjunction or independently.
These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.
These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.
This collection includes Sonata in G Major K.2 L.388 and Sonata in e minor K. 98 L.325 arranged for solo marimba.
This collection includes Sonata in G Major K.2 L.388 and Sonata in e minor K. 98 L.325 arranged for solo marimba.
Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.
Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.
Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.
Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.
Plenty of musical challenges await the player in the guise of an intermediate level work. Six variations follow the theme. The variety of textures makes this work a great study piece as well as a delight for the audience.
Plenty of musical challenges await the player in the guise of an intermediate level work. Six variations follow the theme. The variety of textures makes this work a great study piece as well as a delight for the audience.
The metrical and stylistic treatment Chen gives this traditional Chinese melody is sure to captivate any audience. Independent rolls and great overall coordination required. Can be played on a 4.6 octave instrument.
The metrical and stylistic treatment Chen gives this traditional Chinese melody is sure to captivate any audience. Independent rolls and great overall coordination required. Can be played on a 4.6 octave instrument.
A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.
A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.
This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”
This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”
A third-place winner in 1978 PAS composition contest for percussion soloist with percussion ensemble accompaniment.
A third-place winner in 1978 PAS composition contest for percussion soloist with percussion ensemble accompaniment.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.