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Intermediate
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Rhythm Song

$14.00 – $17.00
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Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.

Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.

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Advanced
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Libertango

$17.00 – $20.00
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Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.

Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.

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Advanced
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Rhythmic Caprice

$14.00 – $17.00
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Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.

Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.

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Intermediate
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Children’s Corner (Debussy/arr. Leigh Howard Stevens)

$17.00 – $20.00
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Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

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Advanced
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Concerto for Marimba and String Orch.—Piano Red.

$48.00 – $55.00
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Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

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Advanced
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Broken Silence

$10.00 – $11.00
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One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.

One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.

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Northern Lights

$21.00 – $24.00
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Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.

Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.

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Intermediate
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Eight-Three Minute Audition Solos

$13.00 – $15.00
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A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.

A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.

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Advanced
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Prelude and Fugue in B-flat Major (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

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Intermediate Snare Drum Contest Solos

$10.00 – $12.00
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Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.

Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.

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Ilmo

$10.00 – $11.00
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One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.

One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.

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Advanced
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Four Grotesques for Timpani

$9.00 – $10.00
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‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.

‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.

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Cottontail Capers (Xylo Solo w/piano accomp)

$21.00 – $24.00
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Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

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Timpani Playing in the 21st Century

$30.00 – $35.00
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“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker

“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker

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