Showing 41–60 of 285 results
Showing 41–60 of 285 results
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
For keyboard percussion soloist with piano accompaniment
For keyboard percussion soloist with piano accompaniment
A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.
A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.
A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.
Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.
Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
For solo xylophone with piano accompaniment
For solo xylophone with piano accompaniment
Inspired by the playing of Max Roach, Sanderbeck has written an interesting and original five-movement suite which displays a drummer’s finesse and control in a variety of styles. Great choice for a jury or recital!
Inspired by the playing of Max Roach, Sanderbeck has written an interesting and original five-movement suite which displays a drummer’s finesse and control in a variety of styles. Great choice for a jury or recital!
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes
Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes