Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Stout’s third work for marimba orchestra, featuring two marimba soloists.
Stout’s third work for marimba orchestra, featuring two marimba soloists.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
This package contains ONLY the Solo Clarinet part and Solo Percussion part. This package does NOT contain a Piano Reduction Score, a Full Conductor Score, nor any ensemble parts. To […]
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Four Faces is scored for 5.0 marimba soloist, four percussionists, and electric bass. Rhythmically extremely interesting, and not at all like any other music for marimba solo and percussion quartet. Check it out!
Four Faces is scored for 5.0 marimba soloist, four percussionists, and electric bass. Rhythmically extremely interesting, and not at all like any other music for marimba solo and percussion quartet. Check it out!