Showing 17–32 of 199 results
Showing 17–32 of 199 results
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
Nine Lives is a snare drum solo in the rudimental style based on a Turkish Romany “gypsy” rhythm called the Roman Havas?. The original rhythm is usually played on the darbuka/doumbek to accompany dancers.
Nine Lives is a snare drum solo in the rudimental style based on a Turkish Romany “gypsy” rhythm called the Roman Havas?. The original rhythm is usually played on the darbuka/doumbek to accompany dancers.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.
A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.
A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.
A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.
Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.
Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
