The Fragile Corridor
$20.00 – $23.00An energetic piece for solo marimba/vibraphone and electronics.
An energetic piece for solo marimba/vibraphone and electronics.
Showing 421–440 of 500 results
Showing 421–440 of 500 results
An energetic piece for solo marimba/vibraphone and electronics.
An energetic piece for solo marimba/vibraphone and electronics.
Ensemble for 4 percussionists. The “cage” theme is exhibited in the way the performers create a constantly evolving visual cage with their sticks.
Ensemble for 4 percussionists. The “cage” theme is exhibited in the way the performers create a constantly evolving visual cage with their sticks.
This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.
This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!
The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!
Our editorial board reports that this is an extremely interesting collection of 15 character pieces that is destined to be widely used in teaching studios and on the recital stage of college music programs. Some selections are intermediate in difficulty and others are more challenging.
Our editorial board reports that this is an extremely interesting collection of 15 character pieces that is destined to be widely used in teaching studios and on the recital stage of college music programs. Some selections are intermediate in difficulty and others are more challenging.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
‘The Storm’ is for four timpani and suspended cymbal, which is, at times, placed on one of the timpani. The outer sections are in a driving 5/8, with a slow cadenza-like middle section for contrast. Great contest or audition solo for a developing timpanist!
‘The Storm’ is for four timpani and suspended cymbal, which is, at times, placed on one of the timpani. The outer sections are in a driving 5/8, with a slow cadenza-like middle section for contrast. Great contest or audition solo for a developing timpanist!
This is a beautiful and innovative depiction of Xinjiang, a folk song from western China. Fluid four-mallet technique and a 5.0 octave marimba are required.
This is a beautiful and innovative depiction of Xinjiang, a folk song from western China. Fluid four-mallet technique and a 5.0 octave marimba are required.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
A second-place winner in 1976 PAS composition contest for timpani solo.
A second-place winner in 1976 PAS composition contest for timpani solo.
Not a Sonata’ is highly worthwhile to perform in recitals, with interesting harmonic and rhythmic concepts and a variety of technical and musical challenges.
Not a Sonata’ is highly worthwhile to perform in recitals, with interesting harmonic and rhythmic concepts and a variety of technical and musical challenges.
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
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Any or all of the ‘Three Etudes for Snare Drum’ would be an excellent choice for a festival or competition. These are serious, difficult and interesting solos, presenting serious snare drummers with a variety of opportunities to improve their skill and finesse.
Any or all of the ‘Three Etudes for Snare Drum’ would be an excellent choice for a festival or competition. These are serious, difficult and interesting solos, presenting serious snare drummers with a variety of opportunities to improve their skill and finesse.
For solo timpani
For solo timpani