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Intermediate
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Preachers, Thieves, and Acrobats

$50.00 – $55.00
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Each of the seven movements is a depiction of a character from the composer’s family album. The piece requires seven players, each taking turns reading text while the others perform the associated music.

Each of the seven movements is a depiction of a character from the composer’s family album. The piece requires seven players, each taking turns reading text while the others perform the associated music.

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Prelude and Fugue in B-flat Major (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

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Prelude and Rondo alla marcia, Op. 59

$75.00 – $83.00
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Prelude and Rondo, commissioned by Texas Christian University and Dr. Brian West for a PASIC performance, is a large and very attractive percussion orchestra work, featuring one of Helble’s most beautiful and hypnotic openings.

Prelude and Rondo, commissioned by Texas Christian University and Dr. Brian West for a PASIC performance, is a large and very attractive percussion orchestra work, featuring one of Helble’s most beautiful and hypnotic openings.

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Prelude in G Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$18.00 – $20.00
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It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

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Prelude Op. 11 No. 3

$12.00 – $13.00
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A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.

A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.

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Prelude Op. 11 No. 7

$8.00 – $9.00
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A dramatic and technically challenging work for unaccompanied four-mallet marimba. The study and mastery of Clair Omar Musser’s preludes is considered to be a “right of passage” into technical competence.

A dramatic and technically challenging work for unaccompanied four-mallet marimba. The study and mastery of Clair Omar Musser’s preludes is considered to be a “right of passage” into technical competence.

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Preludes 1, 2, 3, 4, and 5

$35.00 – $39.00
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These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.

These much anticipated pieces appeal to players and audiences alike. They encompass a wide variety of stylistic writing, as Burritt exploits the technical and lyrical capabilities of the instrument.

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Preludes 10, 11, 12

$10.00 – $11.00
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Helble’s marimba output spans more than 25 years. The harmonic material has become more stable, tonal and conservative as the years have passed, but there is always that harmonic twist that sets his tonal language apart.

Helble’s marimba output spans more than 25 years. The harmonic material has become more stable, tonal and conservative as the years have passed, but there is always that harmonic twist that sets his tonal language apart.

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Preludes 7, 8, 9

$10.00 – $11.00
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Prelude No.7 is a highly chromatic toccata-like piece with a Baroque-like motor rhythm. No.8 is a short but lugubrious treatment of a short, sharp, rhythmic motive. No.9 is a mysterious march that approaches and disappears into the distance.

Prelude No.7 is a highly chromatic toccata-like piece with a Baroque-like motor rhythm. No.8 is a short but lugubrious treatment of a short, sharp, rhythmic motive. No.9 is a mysterious march that approaches and disappears into the distance.

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Intermediate
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Preludium in G Minor (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.

This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.

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Prisoners of the Image Factory

$25.00 – $28.00
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For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.

For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.

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Intermediate
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Processional

$27.00 – $30.00
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A unique ensemble for four percussion and piano. The piano part can be played by a percussionist.

A unique ensemble for four percussion and piano. The piano part can be played by a percussionist.

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Quartz City

$30.00 – $33.00
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Quartz City is another winner – literally. Johnson’s piece won first prize in the 1995 P.A.S.Composition Contest. The vibraphone solo is very challenging; the ensemble parts somewhat less so.

Quartz City is another winner – literally. Johnson’s piece won first prize in the 1995 P.A.S.Composition Contest. The vibraphone solo is very challenging; the ensemble parts somewhat less so.

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