Pachelbel Canon (Pachelbel/arr. Naoko Takada)
$24.00 – $28.00Composed by Pachelbel, arranged for marimba quartet by Naoko Takada
Composed by Pachelbel, arranged for marimba quartet by Naoko Takada
Showing 21–40 of 304 results
Showing 21–40 of 304 results
Composed by Pachelbel, arranged for marimba quartet by Naoko Takada
Composed by Pachelbel, arranged for marimba quartet by Naoko Takada
Composed by Mozart, arranged for marimba duet by Naoko Takada
Composed by Mozart, arranged for marimba duet by Naoko Takada
Any or all of the ‘Three Etudes for Snare Drum’ would be an excellent choice for a festival or competition. These are serious, difficult and interesting solos, presenting serious snare drummers with a variety of opportunities to improve their skill and finesse.
Any or all of the ‘Three Etudes for Snare Drum’ would be an excellent choice for a festival or competition. These are serious, difficult and interesting solos, presenting serious snare drummers with a variety of opportunities to improve their skill and finesse.
This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.
This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.
Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.
Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.
These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.
These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.
Solo for Snare Drum
LIMITED EDITION, for the 2012 Atlanta Symphony Modern Snare Drum Competition
Solo for Snare Drum
LIMITED EDITION, for the 2012 Atlanta Symphony Modern Snare Drum Competition
If classics like “Rhythm Song” and “Virginia Tate” are any indication of the appeal of Smadbeck’s compositional style, this piece will quickly become a favorite on college campuses.
If classics like “Rhythm Song” and “Virginia Tate” are any indication of the appeal of Smadbeck’s compositional style, this piece will quickly become a favorite on college campuses.
Incoming is a virtuosic composition for the two players, using the drumkit as a multiple percussion instrument. The drummer has the opportunity to improvise in different sections of the work, and requires the ability to solo in different and changing meters.
Incoming is a virtuosic composition for the two players, using the drumkit as a multiple percussion instrument. The drummer has the opportunity to improvise in different sections of the work, and requires the ability to solo in different and changing meters.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.
(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
Nine Lives is a snare drum solo in the rudimental style based on a Turkish Romany “gypsy” rhythm called the Roman Havas?. The original rhythm is usually played on the darbuka/doumbek to accompany dancers.
Nine Lives is a snare drum solo in the rudimental style based on a Turkish Romany “gypsy” rhythm called the Roman Havas?. The original rhythm is usually played on the darbuka/doumbek to accompany dancers.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.