Showing 17–32 of 188 results
Showing 17–32 of 188 results
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.
(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
Nine Lives is a snare drum solo in the rudimental style based on a Turkish Romany “gypsy” rhythm called the Roman Havas?. The original rhythm is usually played on the darbuka/doumbek to accompany dancers.
Nine Lives is a snare drum solo in the rudimental style based on a Turkish Romany “gypsy” rhythm called the Roman Havas?. The original rhythm is usually played on the darbuka/doumbek to accompany dancers.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Elements of African, Latin, Gamelan, and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.
Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
Perhaps this is the ultimate virtuostic show piece for a solo marimbist. Seven minutes of rhythmic momentum, colored with three “col legno” (with wood) effects.
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.
A collection of compositions designed to provide material for the young percussionist to display his/her abilities on many of the percussion instruments required in concert band or orchestra situations.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.
Highly recommended by both Neil Grover and Gordon Stout, ‘Intermediate Snare Drum Contest Solos’ not only provides the junior high or early high school level snare drummer with musical compositions to perform for contests or auditions, the pieces are designed to teach dynamic subtlety and control of accents and stickings.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.
‘Four Grotesques for Timpani’ expands the range of sound produced by four timpani (playing with four marimba mallets, playing on cymbals and crotales inverted on the drums) in music that is rhythmically challenging and melodically interesting.