Showing 17–31 of 31 results
Showing 17–31 of 31 results
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
The Blue Flame Quintet was written for the Lassiter High School Percussion Ensemble in 2005 and premiered at the Midwest International Band and Orchestra Convention in Chicago. The quintet is scored for solo marimba (5 octave), and four accompanying multiple percussionists.”The work is roughly six minutes in duration and is sure to be a crowd pleaser. From a student ensemble perspective, it might be one of the most accessible of Burritt’s “marimba plus ensmeble” compositions.”-Percussive News
The Blue Flame Quintet was written for the Lassiter High School Percussion Ensemble in 2005 and premiered at the Midwest International Band and Orchestra Convention in Chicago. The quintet is scored for solo marimba (5 octave), and four accompanying multiple percussionists.”The work is roughly six minutes in duration and is sure to be a crowd pleaser. From a student ensemble perspective, it might be one of the most accessible of Burritt’s “marimba plus ensmeble” compositions.”-Percussive News
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
Premiered at PASIC 2017, MAG7 is a virtuosic ensemble piece that infuses multiple genres and artistic influences.
Premiered at PASIC 2017, MAG7 is a virtuosic ensemble piece that infuses multiple genres and artistic influences.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
A virtuosic showcase for solo drummer accompanied by percussion quartet.
A virtuosic showcase for solo drummer accompanied by percussion quartet.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.
For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.
For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.
Rosewood Dreaming was composed for a marimba soloist with a number of performance options intended.
Rosewood Dreaming was composed for a marimba soloist with a number of performance options intended.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full orchestra.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full orchestra.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
