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Album for the Young II (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

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Advanced
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Altered Echoes

$15.00$17.00

Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.

Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.

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Advanced
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Ameline

$13.00$15.00

Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

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Advanced
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Ameline (Marimba/Clarinet Duo)

$21.00$24.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

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Duets
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Ameline (Marimba/Flute Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.

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Advanced
Select options This product has multiple variants. The options may be chosen on the product page

Ameline (Marimba/Vibraphone Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

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Advanced
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Ameline (Marimba/Violin Duo)

$30.00$35.00

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

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Intermediate
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An Indian Story (arr. for Orchestra)

$82.00$90.00

An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.

An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.

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Intermediate
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An Indian Story (G.H. Green/arr. Bob Becker)

$20.00$22.00

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Intermediate
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An Indian Story Xylo Solo (G.H. Green/arr. Bob Becker)

$5.00$6.00

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Beginner
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Andalusian Haiku

$15.00$17.00

The castanet rhythms of Southern Spain and the metric structure of this originally Japanese form of poetry are combined in Andalusian Haiku.

The castanet rhythms of Southern Spain and the metric structure of this originally Japanese form of poetry are combined in Andalusian Haiku.

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Advanced
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Anima

$43.00$50.00

“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.

“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”

Theodore Wiprud

Ethereal percussion quartet fit for advanced ensembles.

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Advanced
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Anthem: To Catch a Glimpse

$14.00$17.00

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

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Intermediate
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Art Song

$29.00$33.00

An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.

An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.

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Intermediate
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Asturias (Albeniz/arr. Leigh Howard Stevens)

$11.00$13.00

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

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