Showing 361–380 of 634 results
Showing 361–380 of 634 results
On Wings of Song is comprised of four traditional folksongs about birds, with each song preceded by Walt Whitman’s prose.
On Wings of Song is comprised of four traditional folksongs about birds, with each song preceded by Walt Whitman’s prose.
Rhythmically and harmonically engaging. The harmonic structure has its roots in the music of the rock group Deep Purple. Can be performed on a 4.3.
Rhythmically and harmonically engaging. The harmonic structure has its roots in the music of the rock group Deep Purple. Can be performed on a 4.3.
Overkill is scored for four players, each utilizing multiple drums around a centered cymbal set-up. Classic rock fans will recognize the main rhythmic theme, which is played over and over, hence the title of the piece.
Overkill is scored for four players, each utilizing multiple drums around a centered cymbal set-up. Classic rock fans will recognize the main rhythmic theme, which is played over and over, hence the title of the piece.
Composed by Pachelbel, arranged for marimba quartet by Naoko Takada
Composed by Pachelbel, arranged for marimba quartet by Naoko Takada
(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.
(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.
Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.
Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.
Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.
Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.
A 1989 publication, ‘Petite Suite’ is a duet for early intermediate snare drummers. But it’s not just a “straight” snare drum piece. In it, Kettle introduces developing players to the use of different areas of the drum, a variety of different strokes and the notation used to indicate these variations. This is not only an excellent pedagogical tool, but also a charming piece!
A 1989 publication, ‘Petite Suite’ is a duet for early intermediate snare drummers. But it’s not just a “straight” snare drum piece. In it, Kettle introduces developing players to the use of different areas of the drum, a variety of different strokes and the notation used to indicate these variations. This is not only an excellent pedagogical tool, but also a charming piece!
“This piece is technically difficult and musically challenging. But this is an enormously rewarding piece for the performers and will be a moving experience for the audience.” – Percussive Notes
“This piece is technically difficult and musically challenging. But this is an enormously rewarding piece for the performers and will be a moving experience for the audience.” – Percussive Notes
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
M. K. Jerome’s Poor Butterfly Is A Fly Gal Now was published by Waterson, Berlin & Snyder Co. in 1919, and recorded the same year by the All Star Trio (Victor 18641-B). The All Star Trio was one of the most popular recording groups for dance music in the United States between 1918 and 1922. The ensemble included Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone. This transcription arrangement bases the marimba part on the piano and saxophone performances, while keeping the xylophone part almost exactly as played by Green, with only a few minor changes to make the two parts consistent.
M. K. Jerome’s Poor Butterfly Is A Fly Gal Now was published by Waterson, Berlin & Snyder Co. in 1919, and recorded the same year by the All Star Trio (Victor 18641-B). The All Star Trio was one of the most popular recording groups for dance music in the United States between 1918 and 1922. The ensemble included Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone. This transcription arrangement bases the marimba part on the piano and saxophone performances, while keeping the xylophone part almost exactly as played by Green, with only a few minor changes to make the two parts consistent.