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Showing 301–320 of 392 results
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Filters
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Showing 301–320 of 392 results
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Filters
Spero
$52.00 – $61.00A virtuosic showcase for solo drummer accompanied by percussion quartet.
A virtuosic showcase for solo drummer accompanied by percussion quartet.
Spot
$8.00 – $9.00A bright 3/4 tune in C, easier to play than most of Piper’s Seven Songs. Spot would make an excellent jury piece for the developing vibraphonist.
A bright 3/4 tune in C, easier to play than most of Piper’s Seven Songs. Spot would make an excellent jury piece for the developing vibraphonist.
Spring Valley Kids
$8.00 – $9.00A charming, lively solo, ‘Spring Valley Kids’ may be performed either by vibraphone alone or with optional rhythm section accompaniment (lead sheet included).
A charming, lively solo, ‘Spring Valley Kids’ may be performed either by vibraphone alone or with optional rhythm section accompaniment (lead sheet included).
Star Light Meadow
$11.00 – $13.00An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
Stars of Brazil
$40.00 – $46.00A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Stop Time (G.H. Green/arr. Bob Becker)
$19.00 – $22.00The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Stop Time Xylo Solo (G.H. Green/arr. Bob Becker)
$5.00 – $6.00The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Stratum
$15.00 – $17.00For marimba quartet
For marimba quartet
Street Beat
$5.00 – $6.00Strikes and Resonance
$15.00 – $17.00Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Stroboscope
$14.00 – $17.00Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
Suite for Marimba
$6.00 – $7.00A four-movement piece for solo marimba
A four-movement piece for solo marimba
Suite from Carmen (Bizet/arr. Michael Baker)
$13.00 – $14.00This concert suite for 2-mallet marimba and piano contains seven sections – Entracte, Sequidilla, Habenera, Fanfare, March, Toreador Song, and Gypsy Dance.
This concert suite for 2-mallet marimba and piano contains seven sections – Entracte, Sequidilla, Habenera, Fanfare, March, Toreador Song, and Gypsy Dance.
Suite V (J.S. Bach/arr. Andrea Venet)
$24.00 – $28.00An amalgamation of Bach’s solo string suites for cello and lute, arranged for marimba.
An amalgamation of Bach’s solo string suites for cello and lute, arranged for marimba.
Sunbell
$10.00 – $11.00One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.
One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.
Swanee (Gershwin/arr. Becker/Kimura)
$21.00 – $24.00“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes
“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes
Syncopate My Afuche
$13.00 – $14.00A delightful piece for five percussionists playing Afuche and pocket change!
A delightful piece for five percussionists playing Afuche and pocket change!
Tailoring for Two, Marimba Duet
$34.00 – $40.00Tailoring for Two was written for my student Taylor Katanick, and premiered by Taylor and Gordon Stout in 2014 at Ithaca College. A really fun duo, requiring two 5.0 marimbas.
Tailoring for Two was written for my student Taylor Katanick, and premiered by Taylor and Gordon Stout in 2014 at Ithaca College. A really fun duo, requiring two 5.0 marimbas.
Tears for 4 Concert Toms
$6.00 – $7.00This work for four concert toms will challenge a percussionist’s rhythmic accuracy and expressive capabilities. The more I study this piece, the more fascinated I become with it. It is engimatic in that this lyrical, sorrowful music (as can be deduced from the title) must be expressed through rather unconventional instrumentation. Clearly, the performer must internalize the music to the point where he or she is capable of making four tom-toms sing in a manner in which the emotional content of the music is unquestionable to the listener. -Jason Baker, Percussive Notes
This work for four concert toms will challenge a percussionist’s rhythmic accuracy and expressive capabilities. The more I study this piece, the more fascinated I become with it. It is engimatic in that this lyrical, sorrowful music (as can be deduced from the title) must be expressed through rather unconventional instrumentation. Clearly, the performer must internalize the music to the point where he or she is capable of making four tom-toms sing in a manner in which the emotional content of the music is unquestionable to the listener. -Jason Baker, Percussive Notes