Showing 301–320 of 365 results
Showing 301–320 of 365 results
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
Inspired by William Blake’s poem by the same name, and arranged for four percussionists and a CD accompaniment to explore free, meterless music.
Inspired by William Blake’s poem by the same name, and arranged for four percussionists and a CD accompaniment to explore free, meterless music.
An energetic piece for solo marimba/vibraphone and electronics.
An energetic piece for solo marimba/vibraphone and electronics.
Ensemble for 4 percussionists. The “cage” theme is exhibited in the way the performers create a constantly evolving visual cage with their sticks.
Ensemble for 4 percussionists. The “cage” theme is exhibited in the way the performers create a constantly evolving visual cage with their sticks.
This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.
This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
Perfect for a joint recital! The mirror image set-up makes the visual aspect of performance just as important as the aural.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
A short, yet solemn work. This piece offers a perfect opportunity for the player to experiment with tone color and rubato while showing-off the resonance of the instrument.
The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!
The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!
Our editorial board reports that this is an extremely interesting collection of 15 character pieces that is destined to be widely used in teaching studios and on the recital stage of college music programs. Some selections are intermediate in difficulty and others are more challenging.
Our editorial board reports that this is an extremely interesting collection of 15 character pieces that is destined to be widely used in teaching studios and on the recital stage of college music programs. Some selections are intermediate in difficulty and others are more challenging.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
‘The Storm’ is for four timpani and suspended cymbal, which is, at times, placed on one of the timpani. The outer sections are in a driving 5/8, with a slow cadenza-like middle section for contrast. Great contest or audition solo for a developing timpanist!
‘The Storm’ is for four timpani and suspended cymbal, which is, at times, placed on one of the timpani. The outer sections are in a driving 5/8, with a slow cadenza-like middle section for contrast. Great contest or audition solo for a developing timpanist!
Any or all of the ‘Three Etudes for Snare Drum’ would be an excellent choice for a festival or competition. These are serious, difficult and interesting solos, presenting serious snare drummers with a variety of opportunities to improve their skill and finesse.
Any or all of the ‘Three Etudes for Snare Drum’ would be an excellent choice for a festival or competition. These are serious, difficult and interesting solos, presenting serious snare drummers with a variety of opportunities to improve their skill and finesse.
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.
For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
“This book gives insight into every aspect of timpani performance, and every player should read it.” – Bob Becker
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.