Ameline (Marimba/Flute Duo)
$30.00 – $35.00Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Showing 281–286 of 286 results
Showing 281–286 of 286 results
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
A triple homage to Jacob Druckman, Johann Sebastian Bach, and James Preiss, Reflexions is a substantial work for solo marimba comprised of 12 short studies.
A triple homage to Jacob Druckman, Johann Sebastian Bach, and James Preiss, Reflexions is a substantial work for solo marimba comprised of 12 short studies.
Comprised of five sections, Sevenly Reward is a multi percussion solo piece for drum-kit.
Comprised of five sections, Sevenly Reward is a multi percussion solo piece for drum-kit.
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Inspired by the works of George Hamilton and Joe Green, Clair Omar Musser, Teddy Brown, and the recordings and arrangements made by NEXUS Percussion featuring Bob Becker, ‘A Recipe for Ms. Chalice’ from the hit video game ‘Cuphead: The Delicious Last Course,’ is Kris Maddigan’s homage to those artists.
Inspired by the works of George Hamilton and Joe Green, Clair Omar Musser, Teddy Brown, and the recordings and arrangements made by NEXUS Percussion featuring Bob Becker, ‘A Recipe for Ms. Chalice’ from the hit video game ‘Cuphead: The Delicious Last Course,’ is Kris Maddigan’s homage to those artists.