Crazy Crazy Army
$11.00 – $13.00Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Showing 201–215 of 215 results
Showing 201–215 of 215 results
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
A compilation of British and American drum beatings written for one or more of both fife and drum.
A compilation of British and American drum beatings written for one or more of both fife and drum.
This work was designed to provide playing and reading experience by integrating mallets and auxiliary percussion in a fun, yet practical manner. From drum cadences to crystalline textures and engaging melodies, Six Miniatures for Percussion Ensemble provides both students and audiences with short, colorful pieces.
This work was designed to provide playing and reading experience by integrating mallets and auxiliary percussion in a fun, yet practical manner. From drum cadences to crystalline textures and engaging melodies, Six Miniatures for Percussion Ensemble provides both students and audiences with short, colorful pieces.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
A triple homage to Jacob Druckman, Johann Sebastian Bach, and James Preiss, Reflexions is a substantial work for solo marimba comprised of 12 short studies.
A triple homage to Jacob Druckman, Johann Sebastian Bach, and James Preiss, Reflexions is a substantial work for solo marimba comprised of 12 short studies.
Comprised of five sections, Sevenly Reward is a multi percussion solo piece for drum-kit.
Comprised of five sections, Sevenly Reward is a multi percussion solo piece for drum-kit.
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.