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Lahara

$33.00 – $39.00
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Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

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Diptych No. 4

$19.00 – $22.00
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Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

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Waking Dreams

$71.00 – $83.00
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Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.

Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.

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Concerto for Marimba & Orch. Piano Reduction

$38.00 – $44.00
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Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

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Palta

$48.00 – $55.00
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(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

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Concerto for Marimba and String Orch.—Piano Red.

$48.00 – $55.00
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Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

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Cottontail Capers (Xylo Solo w/piano accomp)

$21.00 – $24.00
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Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

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Fandango 13 for Six Percussionists

$44.00 – $51.00
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Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.

Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.

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Etude Op. 6 No. 2, Ab Major

$12.00 – $13.00
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A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.

A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.

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Crawl, Walk, Run

$55.00 – $64.00
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Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes

Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes

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