Showing 1–16 of 26 results
Showing 1–16 of 26 results
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Stout’s third work for marimba orchestra, featuring two marimba soloists.
Stout’s third work for marimba orchestra, featuring two marimba soloists.
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
Fandango 13 is a virtuosic burst of energy from beginning to end. It was premiered by the Eastman Percussion Ensemble at PASIC 2013 and dedicated to those players who brought it to life so brilliantly.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Premiered at PASIC 2017, MAG7 is a virtuosic ensemble piece that infuses multiple genres and artistic influences.
Premiered at PASIC 2017, MAG7 is a virtuosic ensemble piece that infuses multiple genres and artistic influences.
Three short and distinct movements to be performed by six percussionists.
Three short and distinct movements to be performed by six percussionists.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full orchestra.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full orchestra.