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Lahara

$33.00$39.00

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

Noodrem

$38.00$44.00

(1992) Five players – 3va glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. Mallet parts are moderately difficult with some tricky ensemble playing. Piano part is somewhat difficult at times. 8 minutes.

(1992) Five players – 3va glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. Mallet parts are moderately difficult with some tricky ensemble playing. Piano part is somewhat difficult at times. 8 minutes.

Unseen Child

$43.00$50.00

(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995

(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995

Kaleiduoscope

$29.00$33.00

Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.

Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.

Duo (Dance-Song) for Bassoon and Marimba

$24.00$28.00

This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.

This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.

Rivers of Wood

$19.00$22.00

The Rivers Music School in Boston commissioned this piece for the 22nd Annual Seminar on Contemporary Music for the Young. It was composed with an advanced young player in mind, but is musically sophisticated enough to be performed by college level players also.

The Rivers Music School in Boston commissioned this piece for the 22nd Annual Seminar on Contemporary Music for the Young. It was composed with an advanced young player in mind, but is musically sophisticated enough to be performed by college level players also.

Island Spinning

$33.00$39.00

“Island Spinning” was inspired by a cue from “Seashell and the Clergyman”, an avant-garde French film from the 1920’s – one of many silent film scores Rich O’Meara and Carlos Garza worked on together as Silent Orchestra.

“Island Spinning” was inspired by a cue from “Seashell and the Clergyman”, an avant-garde French film from the 1920’s – one of many silent film scores Rich O’Meara and Carlos Garza worked on together as Silent Orchestra.

Marimba Quartet

$48.00$55.00

This work is an unsung hero of the marimba quartet literature. A classic that will bring smiles to the players’ faces at the first rehearsal (well, maybe the second rehearsal . . .), and the audience’s faces in the first 30 seconds.

This work is an unsung hero of the marimba quartet literature. A classic that will bring smiles to the players’ faces at the first rehearsal (well, maybe the second rehearsal . . .), and the audience’s faces in the first 30 seconds.

Willow

$48.00$55.00

(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.

(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.

Concerto for Marimba & Orch. Piano Reduction

$38.00$44.00

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Incoming

$24.00$28.00

Incoming is a virtuosic composition for the two players, using the drumkit as a multiple percussion instrument. The drummer has the opportunity to improvise in different sections of the work, and requires the ability to solo in different and changing meters.

Incoming is a virtuosic composition for the two players, using the drumkit as a multiple percussion instrument. The drummer has the opportunity to improvise in different sections of the work, and requires the ability to solo in different and changing meters.

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