Showing 1–16 of 21 results
Showing 1–16 of 21 results
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
A composition inspired by the sun scored for 2 marimbas, vibraphone, and piano.
A composition inspired by the sun scored for 2 marimbas, vibraphone, and piano.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Three short and distinct movements to be performed by six percussionists.
Three short and distinct movements to be performed by six percussionists.
For a mixed ensemble of Tuba, Timpani, and Percussion, Quiet Music was composed by Cahn for Cherry Beauregard.
For a mixed ensemble of Tuba, Timpani, and Percussion, Quiet Music was composed by Cahn for Cherry Beauregard.
Arranged for three percussionists and a trombone soloist, Cahn’s piece is split into five varying movements.
Arranged for three percussionists and a trombone soloist, Cahn’s piece is split into five varying movements.
The Birds contains contrasting elements and is arranged for a percussion sextet. It was originally composed for Cahn’s group, NEXUS.
The Birds contains contrasting elements and is arranged for a percussion sextet. It was originally composed for Cahn’s group, NEXUS.
The fully orchestrated version of The Birds was completed in 1983. The percussion version was originally composed for NEXUS in 1979, featuring over fifty different bird whistles.
The fully orchestrated version of The Birds was completed in 1983. The percussion version was originally composed for NEXUS in 1979, featuring over fifty different bird whistles.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for orchestra, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
On Wings of Song is comprised of four traditional folksongs about birds, with each song preceded by Walt Whitman’s prose.
On Wings of Song is comprised of four traditional folksongs about birds, with each song preceded by Walt Whitman’s prose.
Song of the Yeve Cult has been arranged for symphony orchestra and percussion, featuring two marimbas and traditional west African rhythmic accompaniment.
Song of the Yeve Cult has been arranged for symphony orchestra and percussion, featuring two marimbas and traditional west African rhythmic accompaniment.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
Composed for NEXUS and dedicated to Toru Takemitsu, In Ancient Temple Gardens was arranged for orchestra and inspired by visits to the temples of Kyoto.
