Showing 1–16 of 30 results
Showing 1–16 of 30 results
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
A great new intermediate recital piece by Tom Marceau.
A great new intermediate recital piece by Tom Marceau.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Inspired by Toru Takemitsu, this piece is arranged for five percussionists accompanied by a pre-recorded CD.
Inspired by Toru Takemitsu, this piece is arranged for five percussionists accompanied by a pre-recorded CD.
The popular aria from Bizet’s Carmen now arranged for solo marimba.
The popular aria from Bizet’s Carmen now arranged for solo marimba.
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.
Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.
Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.