Showing 17–32 of 41 results
Showing 17–32 of 41 results
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
Inspired by William Blake’s poem by the same name, and arranged for two percussionists and a CD accompaniment to explore free, meterless music.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
Available for rent only. Please complete a rental request for more information.
Available for rent only. Please complete a rental request for more information.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Inspired by Toru Takemitsu, this piece is arranged for five percussionists accompanied by a pre-recorded CD.
Inspired by Toru Takemitsu, this piece is arranged for five percussionists accompanied by a pre-recorded CD.
For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.
For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.
Arranged for three percussionists and a trombone soloist, Cahn’s piece is split into five varying movements.
Arranged for three percussionists and a trombone soloist, Cahn’s piece is split into five varying movements.
Serenade for Two tells a story through three sections of interplay between a marimba and clarinet.
Serenade for Two tells a story through three sections of interplay between a marimba and clarinet.
For a mixed ensemble of Tuba, Timpani, and Percussion, Quiet Music was composed by Cahn for Cherry Beauregard.
For a mixed ensemble of Tuba, Timpani, and Percussion, Quiet Music was composed by Cahn for Cherry Beauregard.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Versatile piece for Percussion Soloist to be played with piano and/or marimba ensemble accompaniment. Cahn’s orchestral arrangement is also available.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
A composition inspired by the sun scored for 2 marimbas, vibraphone, and piano.
A composition inspired by the sun scored for 2 marimbas, vibraphone, and piano.
The popular aria from Bizet’s Carmen now arranged for solo marimba.
The popular aria from Bizet’s Carmen now arranged for solo marimba.