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Showing all 10 results
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Stout’s first composition of 2016.
Stout’s first composition of 2016.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
The popular aria from Bizet’s Carmen now arranged for solo marimba.
The popular aria from Bizet’s Carmen now arranged for solo marimba.
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
A triple homage to Jacob Druckman, Johann Sebastian Bach, and James Preiss, Reflexions is a substantial work for solo marimba comprised of 12 short studies.
A triple homage to Jacob Druckman, Johann Sebastian Bach, and James Preiss, Reflexions is a substantial work for solo marimba comprised of 12 short studies.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
For rehearsal, this piece provides the solo and piano accompaniment of Rosewood Dreaming, composed between October 1996 and December 1997 for Leigh Howard Stevens.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
An energetic piece for solo marimba/vibraphone and electronics.
An energetic piece for solo marimba/vibraphone and electronics.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.
A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.