Ameline (Marimba/Clarinet Duo)
$21.00 – $24.00Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Showing 1–16 of 24 results
Showing 1–16 of 24 results
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Stout’s first composition of 2016.
Stout’s first composition of 2016.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
The popular aria from Bizet’s Carmen now arranged for solo marimba.
The popular aria from Bizet’s Carmen now arranged for solo marimba.
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.
Available for rental only. Please complete a rental request for more information.
Available for rental only. Please complete a rental request for more information.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full orchestra.
The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full orchestra.
Available for rental only. Please complete a rental request for more information.
Available for rental only. Please complete a rental request for more information.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.
A story-driven piece for percussion quartet and timpani, dedicated to Kazunori Meguro and the students at Showa Academy of the Arts.