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Gypsy Carnival (Duet for Vibraphone and Marimba)

$18.00
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Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes

Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes

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Heavy Circles

$12.00
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Inspired by the Vasily Kandinsky painting of the same name. Written as a tour de force for the virtuosic abilities of Thomas Burritt, to whom the piece is dedicated. 5.0 octave instrument and high energy required.

Inspired by the Vasily Kandinsky painting of the same name. Written as a tour de force for the virtuosic abilities of Thomas Burritt, to whom the piece is dedicated. 5.0 octave instrument and high energy required.

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Home Trilogy

$74.00 – $86.00
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Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.

Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.

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Hurricane’s Eye

$11.00 – $13.00
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Composed for and premiered by noted marimbist Katarzyna Mycka, “Hurricane’s Eye” is a challenging and dramatic solo work that should find its way into the standard repertoire for advancing students and professionals.

Composed for and premiered by noted marimbist Katarzyna Mycka, “Hurricane’s Eye” is a challenging and dramatic solo work that should find its way into the standard repertoire for advancing students and professionals.

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Impossible Etudes

$12.00
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Berg wrote the etudes to supply his students with technical exercises. Each is unique. Get through these and you are sure to have an independent roll that never quits and left-hand endurance to be envied.

Berg wrote the etudes to supply his students with technical exercises. Each is unique. Get through these and you are sure to have an independent roll that never quits and left-hand endurance to be envied.

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Impromptu

$8.00
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A variety of textures, including four-mallet chorales, single line melody, and even minimalism are present in this work for four mallets. The mature player will be able to musically connect the contrasting sections, to form an exciting recital piece. A 4.3 marimba is required.

A variety of textures, including four-mallet chorales, single line melody, and even minimalism are present in this work for four mallets. The mature player will be able to musically connect the contrasting sections, to form an exciting recital piece. A 4.3 marimba is required.

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Impromptu

$14.00 – $17.00
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Rich O’Meara’s new piece for marimba consists almost exclusively of double lateral and single alternating strokes, has many tempo fluctuations and is improvisatory in nature. However, it looks a little more difficult and is a little longer than the typical O’Meara solo marimba piece you may be used to.

– Julia Gaines, Percussive Notes

Rich O’Meara’s new piece for marimba consists almost exclusively of double lateral and single alternating strokes, has many tempo fluctuations and is improvisatory in nature. However, it looks a little more difficult and is a little longer than the typical O’Meara solo marimba piece you may be used to.

– Julia Gaines, Percussive Notes

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In A Latin Way

$8.00
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Imagine yourself relaxing on a sandy, south-of-the-border beach sipping a cool beverage! This unhurried piece is a marriage of the primitive and the modern with its open modal and contemporary harmonies and syncopated rhythms. Written at the request of the late Karen Ervin Pershing, a wonderful percussionist/teacher. Duration = 3:05

Imagine yourself relaxing on a sandy, south-of-the-border beach sipping a cool beverage! This unhurried piece is a marriage of the primitive and the modern with its open modal and contemporary harmonies and syncopated rhythms. Written at the request of the late Karen Ervin Pershing, a wonderful percussionist/teacher. Duration = 3:05

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In Sweet September (James Monaco/arr. Yurika Kimura)

$21.00 – $24.00
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In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

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