Can be performed as a set or individually. A great recital choice. 5.0 marimba and independent roll technique required.
Can be performed as a set or individually. A great recital choice. 5.0 marimba and independent roll technique required.
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada”
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada”
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009
Morphic Resonance is a difficult work for solo 5.0 marimba. As it morphs through many different styles and sections it will challenge the most advanced marimbist, while providing a rewarding musical experience.
Morphic Resonance is a difficult work for solo 5.0 marimba. As it morphs through many different styles and sections it will challenge the most advanced marimbist, while providing a rewarding musical experience.
This solo piece is an exploration of the marimba’s unique sound. Can be played on a 4.3 marimba, but there is an optional ending requiring a 5.0.
This solo piece is an exploration of the marimba’s unique sound. Can be played on a 4.3 marimba, but there is an optional ending requiring a 5.0.
“One of the best new pieces of marimba solo literature to come along in years, this piece has the musical credentials to stand next to the best tonally-oriented works for solo instruments.” – Percussive Notes
“One of the best new pieces of marimba solo literature to come along in years, this piece has the musical credentials to stand next to the best tonally-oriented works for solo instruments.” – Percussive Notes
The most virtuosic of Bobo’s published compositions to date.
The most virtuosic of Bobo’s published compositions to date.
A much anticipated, “In Your Face” piece for the marimbist in need of new rep. Strong technique, ability to execute independent rolls, and a 5.0 octave instrument required.
A much anticipated, “In Your Face” piece for the marimbist in need of new rep. Strong technique, ability to execute independent rolls, and a 5.0 octave instrument required.
A collection of 10 terrific pieces for four-mallet marimba ranging in difficulty from intermediate to advanced. They are between 2 and 6 minutes each and are based on very specific musical ideas, not specific techniques.
A collection of 10 terrific pieces for four-mallet marimba ranging in difficulty from intermediate to advanced. They are between 2 and 6 minutes each and are based on very specific musical ideas, not specific techniques.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
Northern Lights’ beautiful tonalities and challenging techniques make it a must in every advanced marimbist’s repertoire list. It is on almost everyone’s list of the top ten greatest works for solo marimba.
Rhythmically and harmonically engaging. The harmonic structure has its roots in the music of the rock group Deep Purple. Can be performed on a 4.3.
Rhythmically and harmonically engaging. The harmonic structure has its roots in the music of the rock group Deep Purple. Can be performed on a 4.3.
Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.
Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.
An interesting four-mallet study/concert work that begins with a simple statement of the passacaglia theme in octaves and builds in rhythmic and harmonic complexity to four mallet figuration as it progresses through its variations.
An interesting four-mallet study/concert work that begins with a simple statement of the passacaglia theme in octaves and builds in rhythmic and harmonic complexity to four mallet figuration as it progresses through its variations.
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada”
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada”
