Marimba

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Meteor

$34.00 – $40.00
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This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.

This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.

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Mighty Lak a Rose (Nevin/arr. Bob Becker)

$10.00 – $11.00
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A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.

A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.

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STEVENS-BMS-EXCERPT
Solos Arrangement/Transcription
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Mini Suite III (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

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Musetta’s Waltz (Puccini/arr. Eric Sammut)

$17.00 – $20.00
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Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

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Intermediate
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My Favorite Things (Richard Rodgers/ arr. Andrea Venet)

$17.00 – $20.00
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The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.

The classic song from “The Sound Of Music” given a unique arrangement only fit for the Escape X Percussion Duo.

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Night Wind (Piano Reduction)

$68.00
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Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.

Described by the Los Angeles Times as “intense, dramatic, masterfully colored, and uncompromising,” Naomi Sekiya continues to explore her works with resonant soundscapes, bold instrumental effects and eloquent structures.

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Parkway

$27.00 – $31.00
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Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.

Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.

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Prelude and Fugue in B-flat Major (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

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Prelude in C (by J.S. Bach/arr. Naoko Takada)

$10.00 – $11.00
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J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.

J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.

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Prelude in G Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$17.00 – $20.00
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It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

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Intermediate
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Preludium in G Minor (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.

This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.

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Road Traversed and Reversed

$25.00
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For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.

For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.

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