Showing 61–80 of 305 results
Showing 61–80 of 305 results
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
The perfect opener for any recital! The writing is wonderfully idiomatic and a joy to play. Can be performed on a 4.3. (Intermediate)
The perfect opener for any recital! The writing is wonderfully idiomatic and a joy to play. Can be performed on a 4.3. (Intermediate)
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Solo piece for marimba with multiple percussion
Solo piece for marimba with multiple percussion
marimba solo”Dragon” is more atmospheric, featuring a portentous, ominous opening Adagio, and an Allegro that alternates dark drama with dazzling and climactic moments of triumph.
marimba solo”Dragon” is more atmospheric, featuring a portentous, ominous opening Adagio, and an Allegro that alternates dark drama with dazzling and climactic moments of triumph.
“This charming, seven-minute work for solo marimba is a quick learn and will make a wonderful addition to the repertoire of students and professionals alike.”-Percussive Notes
“This charming, seven-minute work for solo marimba is a quick learn and will make a wonderful addition to the repertoire of students and professionals alike.”-Percussive Notes
Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.
Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Cascading 16th-note passages make up the body of this etude by Clair Omar Musser. The player gets the chance to show off their muscle memory as well as their ability to be expressive through use of dynamics and rubati.
Cascading 16th-note passages make up the body of this etude by Clair Omar Musser. The player gets the chance to show off their muscle memory as well as their ability to be expressive through use of dynamics and rubati.
Probably the most well-known of Clair Omar Musser’s etudes for solo marimba. A fast-paced four-mallet piece with brilliant colors.
Probably the most well-known of Clair Omar Musser’s etudes for solo marimba. A fast-paced four-mallet piece with brilliant colors.
A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
