Showing 61–80 of 329 results
Showing 61–80 of 329 results
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.
This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.
An exciting work by an outstanding Japanese composer, Concertino for Solo Marimba and Two Percussionists displays the talents of the solo marimbist in a small ensemble setting.
An exciting work by an outstanding Japanese composer, Concertino for Solo Marimba and Two Percussionists displays the talents of the solo marimbist in a small ensemble setting.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
‘Dances for Luna’ is a real gem of a marimba piece – exciting, challenging and musical! Its many different stroke types, idiomatic to the instrument, will build mallet independence and control. Ideal for a senior recital, with its dance-like feel and rich harmonic content, ‘Dances for Luna’ will appeal equally to performers and listeners.
‘Dances for Luna’ is a real gem of a marimba piece – exciting, challenging and musical! Its many different stroke types, idiomatic to the instrument, will build mallet independence and control. Ideal for a senior recital, with its dance-like feel and rich harmonic content, ‘Dances for Luna’ will appeal equally to performers and listeners.
The perfect opener for any recital! The writing is wonderfully idiomatic and a joy to play. Can be performed on a 4.3. (Intermediate)
The perfect opener for any recital! The writing is wonderfully idiomatic and a joy to play. Can be performed on a 4.3. (Intermediate)
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
marimba solo”Dragon” is more atmospheric, featuring a portentous, ominous opening Adagio, and an Allegro that alternates dark drama with dazzling and climactic moments of triumph.
marimba solo”Dragon” is more atmospheric, featuring a portentous, ominous opening Adagio, and an Allegro that alternates dark drama with dazzling and climactic moments of triumph.
The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
Duo Concertante for Vibraphone and Marimba is a bravura crowd pleaser for two strong players. The style has a baroque flavor, offering players and audiences to hear the materials develop, cross and re-cross parts, and engage in contrapuntal arabesques.
Duo Concertante for Vibraphone and Marimba is a bravura crowd pleaser for two strong players. The style has a baroque flavor, offering players and audiences to hear the materials develop, cross and re-cross parts, and engage in contrapuntal arabesques.
This unique five-movement duet for snare drum and marimba embraces the timbral contrasts between both instruments, while also experimenting with the colors created while they are played simultaneously. A very musically demanding work!
This unique five-movement duet for snare drum and marimba embraces the timbral contrasts between both instruments, while also experimenting with the colors created while they are played simultaneously. A very musically demanding work!
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
