Marimba

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Intermediate
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Children’s Corner (Debussy/arr. Leigh Howard Stevens)

$17.00 – $20.00
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Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

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Advanced
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Chorale Variations

$30.00 – $35.00
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Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

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Choro No. 1 (Americana)

$29.00 – $33.00
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This is the first in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combinations with the marimba.

This is the first in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combinations with the marimba.

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Choro No. 1 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Choro No. 2 (Astral Choro)

$29.00 – $33.00
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This is the second in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.

This is the second in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.

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Choro No. 3

$29.00 – $33.00
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This is the third in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba. Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum).

This is the third in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba. Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum).

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Choro No. 3 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Choro No. 4

$24.00 – $28.00
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This is the fourth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the fourth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 5 (Toccata)

$24.00 – $28.00
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This is the fifth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the fifth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 6 (Bossa)

$33.00 – $39.00
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This is the sixth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the sixth in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 7 (The Road Less Traveled)

$38.00 – $44.00
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This is the seventh in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

This is the seventh in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)

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Choro No. 9 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Intermediate
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Christ Lag in Todesbanden (Bach/arr. Leigh Howard Stevens)

$8.00 – $9.00
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This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.

This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.

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Advanced
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Concerto for Marimba & Orch. Piano Reduction

$38.00 – $44.00
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Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

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