Showing 33–48 of 108 results
Showing 33–48 of 108 results
marimba solo”Dragon” is more atmospheric, featuring a portentous, ominous opening Adagio, and an Allegro that alternates dark drama with dazzling and climactic moments of triumph.
marimba solo”Dragon” is more atmospheric, featuring a portentous, ominous opening Adagio, and an Allegro that alternates dark drama with dazzling and climactic moments of triumph.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
Mauro Giuliani is widely considered to be the leading Italian guitar virtuoso of the 19th century. He is remembered most for his concertos, sonatas, duos with violin or flute, and numerous songs and studies. In this collection, four of Giuliani’s most memorable rondeaux have been transcribed for marimba.
Mauro Giuliani is widely considered to be the leading Italian guitar virtuoso of the 19th century. He is remembered most for his concertos, sonatas, duos with violin or flute, and numerous songs and studies. In this collection, four of Giuliani’s most memorable rondeaux have been transcribed for marimba.
Four beautiful Mendelssohn selections arranged in duet versions by Jeff Cornelius.”Whether as a teaching tool or a supplementary piece on a recital program, college educators will find Jeff Cornelius’s arrangements very useful.”-Percussive Notes
Four beautiful Mendelssohn selections arranged in duet versions by Jeff Cornelius.”Whether as a teaching tool or a supplementary piece on a recital program, college educators will find Jeff Cornelius’s arrangements very useful.”-Percussive Notes
Four beautiful Mendelssohn selections arranged in solo versions by Jeff Cornelius.
Four beautiful Mendelssohn selections arranged in solo versions by Jeff Cornelius.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!
Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!
Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes
Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes
For solo marimba with piano accompaniment.
For solo marimba with piano accompaniment.
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
A third-place winner in the 2010 PAS composition contest for marimba/cello duo. Marimba and Cello Duet or Unaccompanied Marimba
A third-place winner in the 2010 PAS composition contest for marimba/cello duo. Marimba and Cello Duet or Unaccompanied Marimba
