Showing 41–60 of 225 results
Showing 41–60 of 225 results
“This charming, seven-minute work for solo marimba is a quick learn and will make a wonderful addition to the repertoire of students and professionals alike.”-Percussive Notes
“This charming, seven-minute work for solo marimba is a quick learn and will make a wonderful addition to the repertoire of students and professionals alike.”-Percussive Notes
Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.
Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.
Cascading 16th-note passages make up the body of this etude by Clair Omar Musser. The player gets the chance to show off their muscle memory as well as their ability to be expressive through use of dynamics and rubati.
Cascading 16th-note passages make up the body of this etude by Clair Omar Musser. The player gets the chance to show off their muscle memory as well as their ability to be expressive through use of dynamics and rubati.
Probably the most well-known of Clair Omar Musser’s etudes for solo marimba. A fast-paced four-mallet piece with brilliant colors.
Probably the most well-known of Clair Omar Musser’s etudes for solo marimba. A fast-paced four-mallet piece with brilliant colors.
Also known as the Natural Boy, this serene etude is constructed of block chords both rolled and unrolled. The full range of the instrument is used, keeping character with the dynamic style for which the composer is known.
Also known as the Natural Boy, this serene etude is constructed of block chords both rolled and unrolled. The full range of the instrument is used, keeping character with the dynamic style for which the composer is known.
The study and mastery of Clair Omar Musser’s Etudes is considered to be a “right of passage” into technical competence. This vibrant Etude shows off the player’s hand speed and ability to work with moving block chords.
The study and mastery of Clair Omar Musser’s Etudes is considered to be a “right of passage” into technical competence. This vibrant Etude shows off the player’s hand speed and ability to work with moving block chords.
If classics like “Rhythm Song” and “Virginia Tate” are any indication of the appeal of Smadbeck’s compositional style, this piece will quickly become a favorite on college campuses.
If classics like “Rhythm Song” and “Virginia Tate” are any indication of the appeal of Smadbeck’s compositional style, this piece will quickly become a favorite on college campuses.
Fifteen Etudes for Vibraphone is a sample of most of the things that vibraphone players encounter. These 15 etudes are not just for technical studies, but have all been composed as complete pieces that can be played on recitals.
Fifteen Etudes for Vibraphone is a sample of most of the things that vibraphone players encounter. These 15 etudes are not just for technical studies, but have all been composed as complete pieces that can be played on recitals.
Percussion teachers couldn’t ask for a more colorful and diverse collection of pieces to introduce young players to all the keyboard percussion instruments. Works for marimba, xylophone, vibraphone and one that can be played on glockenspiel make this a valuable teaching tool and studio or recital resource.
Percussion teachers couldn’t ask for a more colorful and diverse collection of pieces to introduce young players to all the keyboard percussion instruments. Works for marimba, xylophone, vibraphone and one that can be played on glockenspiel make this a valuable teaching tool and studio or recital resource.
This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug
This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug
